Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
transiency_luea [2014-04-10 17:35] – luea | transiency_luea [2014-06-07 09:35] – luea | ||
---|---|---|---|
Line 18: | Line 18: | ||
=== P H A S E S === | === P H A S E S === | ||
- | The Hero's Journey | + | [[Hero's Journey]] |
- | The Hero’s Journey is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, | + | |
- | Its stages are: | + | == The Call == |
- | == THE ORDINARY WORLD == | + | being taken out of the comfort zone - with tendency to refuse |
- | + | ||
- | The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify | + | |
- | == THE CALL TO ADVENTURE | + | == Crossing the Threshold |
- | Something shakes up the situation, either from external pressures or from something rising up from deep within, so the hero must face the beginnings | + | allowing to move it in us, |
+ | allowing | ||
+ | listening to the clarity of the threshold | ||
+ | get supported through magical tool | ||
+ | breathing the clarity of the intention | ||
- | == REFUSAL OF THE CALL == | + | == Building the Fellowships and Alliances |
- | The hero feels the fear of the unknown | + | Spotting friends and false friends |
+ | being seen by the others | ||
- | == MEETING WITH THE MENTOR == | ||
- | The hero comes across a seasoned traveler of the worlds who gives him or her training, equipment, or advice that will help on the journey. | + | == Exploring |
- | 5. CROSSING THE THRESHOLD. | + | == Into the belly of the Beast == |
+ | |||
+ | == Magical Flight == | ||
+ | |||
+ | == Integration | ||
+ | |||
+ | == The Return == | ||
- | 6. TESTS, ALLIES AND ENEMIES. | ||
- | 7. APPROACH. | ||
- | 8. THE ORDEAL. | ||
- | 9. THE REWARD. | ||
- | 10. THE ROAD BACK. About three-fourths of the way through the story, the hero is driven to complete the adventure, leaving the Special World to be sure the treasure is brought home. Often a chase scene signals the urgency and danger of the mission. | ||
- | 11. THE RESURRECTION. | ||
- | 12. | ||
---- | ---- | ||
Line 89: | Line 89: | ||
---- | ---- | ||
- | === T H O U G H T S === | + | === T H O U G H T S and K E Y W O R D S === |
- | Tree of Transformation | + | * Tree of Transformation |
- | Rituals for hearing, listening and stepping over threshold -> times of change and initiations | + | * Rituals for hearing, listening and stepping over threshold -> times of change and initiations |
-> Rites of passage | -> Rites of passage | ||
+ | * The Art of Setting Intention | ||
+ | * Curating, the architecing of spaces for creative shifts, insights, transformation and sharing of in and output | ||
+ | * | ||
---- | ---- |