Differences
This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision Next revision | Previous revision | ||
| photographic_cliches [2015-02-04 11:42] – nik | photographic_cliches [2016-01-08 18:54] (current) – nik | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| ==== Photographic Clichés ==== | ==== Photographic Clichés ==== | ||
| + | |||
| + | < | ||
| + | Given that there are so many photographs in the world, and given that there is such a breadth of visual recognition of tropes, cliches can serve an important role in art: they disarm, creating an opening for a message (this is assuming that a photographers wants to have a message, which isn’t a given). Cliches, when carefully used, can turn artists into undercover agents. But the key here lies on “when carefully used.” The temptation always is to give in to the cliches, because they are so appealing on so many different levels. | ||
| + | |||
| + | --http:// | ||
| + | </ | ||
| ==== Real Serious Street Photography Clichés==== | ==== Real Serious Street Photography Clichés==== | ||
| Line 91: | Line 97: | ||
| * Scrap rusty iron | * Scrap rusty iron | ||
| * Super-wide-angle shots of cars from a corner of the front bumper | * Super-wide-angle shots of cars from a corner of the front bumper | ||
| + | * hummingbirds and flower macros and hdr hot-air balloons | ||
| Instagram Clichés -> http:// | Instagram Clichés -> http:// | ||
| Line 98: | Line 105: | ||
| etc... | etc... | ||
| - | |||
nik