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notes_intermedia_seminar [2007-06-13 07:13] – external edit 127.0.0.1 | notes_intermedia_seminar [2017-02-16 15:36] – [monica emilie herstad] 2.150.16.58 | ||
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* synchronicity -- you have to rely a lot on it when designing responsive spaces | * synchronicity -- you have to rely a lot on it when designing responsive spaces | ||
* synergy of dramaturgical elements - mediated, body oriented, textual | * synergy of dramaturgical elements - mediated, body oriented, textual | ||
- | * rationalising concept also after the fact | + | * rationalising concept also after the incident |
- | * dancers can only sometimes become artists; science and research is always a part of dance | + | * dancers can only sometimes become/ be considered as (creative) |
+ | * science and research is always a part of professional | ||
* a dif. ontology is needed to express what is going on in the whole dance field | * a dif. ontology is needed to express what is going on in the whole dance field | ||
+ | * references are relevant to be added to the movement repertoire, not only within academic texts, but for instance in an academic/ pedagogical setting, where physical movement exercises are emphasized, it should be referred to precisely, from where and when this movement system/ practical arrangement is found and originated, for instance from theater, or dance sources, etc. It could be mentioned from which style, continent, time period this material relates to. | ||
* intuition - jung (flight into mysticism) -- through individuation | * intuition - jung (flight into mysticism) -- through individuation | ||
- | * dancers are my artifacts, but also my friends | + | * dancers are also somehow dramaturgical elements |
+ | * dancers and media = scenography | ||
+ | * post-digitalism - media and dancers - equal partners - not fetishising it | ||
* age - strange in dance | * age - strange in dance | ||
- | * dance - respect and communication, | + | * dance - respect and communication, |
* art - space to ask questions | * art - space to ask questions | ||
* dance - more a state of body than the movement (i dont like to move without reason) - dance of energies / ambient dance (body weather) | * dance - more a state of body than the movement (i dont like to move without reason) - dance of energies / ambient dance (body weather) | ||
* dancers - aesthetic beings | * dancers - aesthetic beings | ||
* contemporary state of ideas - so poor | * contemporary state of ideas - so poor | ||
- | * dance body - free of dogma, free of consciousness, | + | * dance body - free of dogma, free of consciousness, |
+ | * even the dance field, like in (dance) academia, is an arena where the male leader (choreographer/ | ||
* performance - prescribed performance based on the media; collective unconsciousness/ | * performance - prescribed performance based on the media; collective unconsciousness/ | ||
* process - energy continues goes on beyond the performance space | * process - energy continues goes on beyond the performance space | ||
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- | + | * intuition as a tool and process in polishing the art expression that comes during and after/ post methodology | |
- | * dancers and media = scenography | + | |
- | * post-digitalism - media and dancers - equal partners - not fetishising it | + | |
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- | * intuition as a tool and process in polishing the art expression that comes after methodology | + | |
* dont experiment in all different directions - stick to the path and be selective | * dont experiment in all different directions - stick to the path and be selective | ||
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==== per roar thorsnes: slippery land in between ==== | ==== per roar thorsnes: slippery land in between ==== | ||
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* you come in and get different challenges and difficulties to get deeper into the interaction | * you come in and get different challenges and difficulties to get deeper into the interaction | ||
+ | [[lecture_notes]] |