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| five_things [2022-02-18 16:41] – nik | five_things [2022-02-18 16:53] – nik |
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| https://commonplace.knowledgefutures.org/5t3a | https://commonplace.knowledgefutures.org/5t3a |
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| (by JP, NG & MK?) | (Nik Gaffney, Maja Kuzmanovic, Justin Pickard & FoAM) |
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| [[https://fo.am/|FoAM]] is a distributed network working across art, science, nature and everyday life. Guided by the imperative grow your own worlds, we encourage things to grow — creating immersive situations, participatory workshops, experimental publications, site-specific experiences and experiential scenarios. Since FoAM's inception we have been 'growing worlds' in the interstices of different fields of knowledge, geography and worldviews. In a time of hardened borders and travel restrictions, we temporarily turned inwards; [[https://fo.am/anarchive/|reaching back into FoAM's archives]] with an eye to what might be of use to us and others, while seeking new resonances and connections with things happening elsewhere. | [[https://fo.am/|FoAM]] is a distributed network working across art, science, nature and everyday life. Guided by the imperative grow your own worlds, we encourage things to grow — creating immersive situations, participatory workshops, experimental publications, site-specific experiences and experiential scenarios. Since FoAM's inception we have been 'growing worlds' in the interstices of different fields of knowledge, geography and worldviews. In a time of hardened borders and travel restrictions, we temporarily turned inwards; [[https://fo.am/anarchive/|reaching back into FoAM's archives]] with an eye to what might be of use to us and others, while seeking new resonances and connections with things happening elsewhere. |
| Spectres in Change; photo: FoAM | Spectres in Change; photo: FoAM |
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| These stories and metaphors might be felt rather than told. In sound, scent, touch and light, experienced at the limits of the visible spectrum, pulsing at ultraviolet or infrared frequencies. They might inhabit the radio spectrum or create divergencies across the spectrum of acceptable behaviours. Spectral stories, stories of cosmic spectra and planetary spectres. [[https://foam-earth.bandcamp.com/track/how-the-terms-mind-and-matter-are-abstractions-which-in-their-concreteness-are-identicalThe folk tales of unquiet matter]]. | These stories and metaphors might be felt rather than told. In sound, scent, touch and light, experienced at the limits of the visible spectrum, pulsing at ultraviolet or infrared frequencies. They might inhabit the radio spectrum or create divergencies across the spectrum of acceptable behaviours. Spectral stories, stories of cosmic spectra and planetary spectres. [[https://foam-earth.bandcamp.com/track/how-the-terms-mind-and-matter-are-abstractions-which-in-their-concreteness-are-identical|The folk tales of unquiet matter]]. |
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| <html><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/track=549459653/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://foam-earth.bandcamp.com/track/how-the-terms-mind-and-matter-are-abstractions-which-in-their-concreteness-are-identical">"how the terms 'mind' and 'matter' are abstractions which in their concreteness are identical" by FoAM</a></iframe></html> | |
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| Listen, for example, to "[[ | Listen, for example, to "[[ |
| As [[https://www.janawinderen.com/releases/the-noisiest-guys-on-the-planet|she says]]: "Underwater there is very little known about the soundscapes created by living creatures, and few understand the details of variations between the various grunts, knocking sounds and rumbling sounds that cod, haddock, pollock, other fish and crustaceas produce, and how they experience and orientate themselves through the use of sound." | As [[https://www.janawinderen.com/releases/the-noisiest-guys-on-the-planet|she says]]: "Underwater there is very little known about the soundscapes created by living creatures, and few understand the details of variations between the various grunts, knocking sounds and rumbling sounds that cod, haddock, pollock, other fish and crustaceas produce, and how they experience and orientate themselves through the use of sound." |
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| ===Tending to the transient and the overlooked=== | ====Tending to the transient and the overlooked==== |
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| {{:6a5fe560-a49c-4de5-ac29-92edd23309cd.jpg}} | {{:6a5fe560-a49c-4de5-ac29-92edd23309cd.jpg}} |
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