a selection of early animation history
(dates are the approximate year of first known work ]
1907 Emile Cohl
- widely regarded as the first animator Combined drawing (using a light box), live action, cutouts and found objects and film.
- Fantasmagoria
1920 Walter Ruttman
- First Abstract animations
- Studied Music and painting, considered cinema to be the future, experimented with painting on glass, and paper cutouts.
- Lichtspiel Opus 1
1921 Oskar Fischinger
- Worked on special effects for films in germany. First MTV style music video for Electrola Disk #1337, Vaya Veronika.
- Moved to LA in 1936 to work for Paramount.
- Stills from Allagretto and Radio Dynamics.
1929 Len Lye
- More strictly a abstract film maker than animator, but employed the “cameraless film making” technique of painting directly (using stencils and prints) on the film stock.
1934 Mary Ellen Bute
- Initially worked closely with musician Joseph Schillinger. She used light and reflectioms of common objects as well as drawing. Her films were the first experimental animations widely shown - and played to millions in cinemas in the US.
1948 Hy Hirsh
- Hollywood cameraman turned animator.
- Used ocilloscopes to generate patterns for animation.
1949 John Whitney
- First computer animator. Modified WW2 targetting computer into an animation plotter. Went on to become pioneer of computer graphics.
- Sons John jr, Mark and Michael continued his work.
1952 Stan Brakhage
- Another filmmaker without a camera, although he employed more traditional means occasionally.
- My favorite work of his was “Mothlight” 1963: http://www.fredcamper.com/Film/BrakhageS.html#Mothlight
1959 Stan VanDerBeek
- Pioneer of computer graphics.
- Experimented with dance, projection and holographic diplays.
1964 Charles Csuri
- Painter, computer animator using analogue and digital vector plotter computers.
1967 Jim Blinn
- Worked on early computer animations of the Voyager space craft orbiting Jupiter and Saturn in the 70's.
- Invented image and texture mapping, and has a surface reflection model bearing his name.
1969 Lillian Schwartz
- Began building kinetic scultures, moved into computer animation/programming and contributed to the scientific fields of visual and colour perception.
- First computer animator to be in the MOMA.
- Resident artist and consultant at Bell Laboratories.
1974 Larry Cuba
- Programmed for John Whitney, Produced his first film using NASA's computers at it's Jet Propulsion Lab.
- Produced an animation which was used for “Star Wars”.